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The voluntary sector makes life better for thousands of people in Hammersmith. From counselling to after-school clubs, the services offered by these organisations can be life changing.

We’ve been supporting grassroots causes for many years, by awarding Community Grants to groups that make a tangible impact to people’s lives, including those working to alleviate poverty, enrich children’s lives, and help some of the most vulnerable people in Hammersmith.

Our most recent grant round in July 2025 saw 11 groups awarded grants totalling £108,560. The full list of grant holders is as follows:

White City Theatre Project (WCTP): £15,000

Many organisations need to raise funds to help cover core costs and we’re happy to support this. WCTP is putting its grant towards expenses such as office overheads and practitioner fees, in order to run community youth theatre projects in Hammersmith.

Woman’s Trust: £15,000

Our grant will help Woman’s Trust to deliver 1-to-1, trauma-informed counselling for women in Hammersmith who are affected by domestic abuse. Approximately 13 women will benefit from a combined total of 176 counselling sessions. Read our Woman’s Trust case study here.

For Brian: £15,000

For Brian is using some of its grant to provide a dance programme for people with dementia. The CIC is spending the rest on accessible transport, volunteer expenses and office costs. You can read our interview with For Brian’s founder here.

Urbanwise.London: £14,961

The educational charity will deliver outdoor, nature-based learning sessions for children and their parents at Wormwood Scrubs Open Space each week. It will also run after-school clubs, a summer family event and trips out.

Hammersmith & Fulham Law Centre: £10,000

With the help of this grant, Hammersmith & Fulham Law Centre will provide advice and representation to people on a low income who have had their employment rights infringed. For example, clients could be victims of workplace discrimination and harassment, have experienced trafficking or been unfairly dismissed from their job.

FORWARD: £9,985

The grant will fund the support and supervision of four local community workers, and the training of 10 maternity champions in Shepherd’s Bush, White City and Old Oak.

The RENA Initiative: £7,684

The CIC was set up to ‘Recognise, Empower and Nurture Artists (RENA)’. Our grant will help The RENA Initiative to run its ‘HeArty’ project – bringing health and wellbeing practitioners together with artists to deliver workshops, befriending group outings and mentoring.

Women Aid and Empowerment: £7,000

More women will be able to enjoy weekly classes in chair-based yoga, chair-based exercise and Zumba. Participants will also have longer to socialise after the classes, and be served tea, coffee and snacks. Read our case study on Women Aid and Empowerment.

Amici Dance Theatre Company: £6,000

11 young Amici members who have a disability will be supported to take part in a theatrical production. The grant will help to ensure that their access and travel needs are met and that they have a support worker.

Somali Parents: £5,400

Somali Parents will be increasing its director’s hours from eight to 16 per week to enable more effective administration, project coordination, bid writing, and partnership work.

WiggleWaggle World CIC: £2,530

WiggleWaggle CIC is running 36 Zumba sessions at Family Hub Old Oak Community Centre, two community fun days and a community Christmas party. Our grant will contribute towards the costs.

How to apply for a HUC Community Grant

We’re particularly keen to hear from smaller, local organisations in our area of benefit, which have a strong connection to their community and a working knowledge of the local area. Your project can be one-off or ongoing. What interests us most is the difference you’ll make to the local people most in need.

Please complete our Eligibility Quiz before applying and then contact us at grants@hamunitedcharities.com to tell us about your project. We like to talk to applicants before you apply to get a better understanding of what you’re doing and answer any questions you may have.

Find out more

• Learn more about our Community Grants
• Read our grants FAQs
• Hear from other organisations we’ve supported
• Read more about how to apply

Drama can be hugely beneficial to children and young people. As well as being a lot of fun, it can boost confidence and self-esteem, increase communication skills, and encourage teamwork, collaboration and empathy.

However, drama and other expressive arts are not always taught in schools. Between 2010 and 2023, there was a 42% decline in expressive arts GCSE entries. More than 40% of English state schools stopped offering music and drama GCSEs altogether. Much of the decline is due to cuts in funding, with schools in disadvantaged areas struggling to make up the financial shortfall.

Angela Wachner is the Interim Executive Director and Co-CEO of The Alternative Theatre Company, which trades as the Bush Theatre. She says, “Drama provision in schools is being eroded across the country, so there’s a real need for better access. It’s also clear that people from a global majority or lower income background are underrepresented in all parts of the industry.”

Opening up the world of theatre

The Bush Theatre is working to ensure more young people are able to access drama and theatre, whether that’s through acting, writing or being able to attend live performances.

The charity runs the Bush Theatre and has two Young Companies – one for teenagers aged 14 to 17 and the other for 18 to 25-year-olds. Both meet weekly. Alongside acting, the young people explore storytelling, creative writing and different roles in the theatre industry.

One Bush Young Company member, Tabby, shares, “I have grown in self-confidence hugely. I have more trust in myself and my ideas and have also developed my skills. Everyone at Bush is so genuine and it really encourages me to be the best version of myself.”

The Bush Theatre also offers work experience opportunities and runs workshops for local schools and youth groups.

Angela says, “As well as the theatrical element, it’s about participants exploring their creativity, whether that’s through drama or dance or music or something else. People, particularly younger people, are multi-skilled; they’re dancers and they make magazines and do art and write poetry and all sorts of things. That’s really exciting. We don’t ever want to hinder that creativity by saying, ‘This is how you do theatre.’”

Removing financial barriers

Financial challenges can often make it difficult, if not impossible, for young people to access theatre and drama outside school. Angela says, “Most of our community projects, including our Young Companies, are free and sometimes we’ll offer financial support to engage with a programme. We don’t want to add any additional barriers to accessing drama; there are already so many barriers in place, including a perception that theatres are only for certain people.”

West London schools are offered free tickets to performances at the Bush Theatre. As well as attending the performance, pupils are able to take part in a pre-show workshop and a Q&A with the cast and creative team.

Championing unheard voices

The Bush Theatre’s mission is to “champion, uplift and support unheard voices.” The charity is mainly led by people from a global majority background and it platforms diverse cultures, stories and identities. Angela says, “A lot of opportunities have disappeared in the sector since COVID, and in the context of an increasingly more challenging economic climate. Many people have had to leave the arts because they can’t rely on it for a career anymore. Our charitable aim is to be the giver of opportunities for people so they can take their first step into theatre, or become an audience member, or find out what their own creativity looks like. We’re really conscious of not losing the small gains that we’ve made in terms of increasing diversity within the sector across multiple different metrics, and we want to continue our progress.”

Springboarding careers

Support doesn’t end once a young person has aged out of the Bush Young Companies. Many former young members join the Bush Writers’ Group or take part in adult productions. Six Bloom Bursaries are offered each year, enabling young people who are particularly talented to access financial support and mentorship.

Angela says, “Coral Wylie, who was a member of our Bush Young Company, has just had their debut play staged, which is testament to how well our programmes link together to create a pipeline for people to progress their careers and explore their creativity.

“Our work as a producer of new plays is well-known by local and national audiences. Perhaps less understood, is that to provide everything required to nurture our artists and audiences, we must actively fundraise to secure over half a million pounds every year. We are incredibly grateful to all those who give what they can to support all we hope to achieve together.”

Hammersmith United Charities

We awarded the Bush Theatre a £5,000 grant towards its community work, helping to fund opportunities for 443 young people. Angela shares, “Hammersmith United Charities are really easy to work with. They’re very engaged with the work we’re doing and very supportive.”

Get involved

You can find out more about the Bush Theatre on its website. If you’re interested in joining one of the Bush Young Companies, please email community@bushtheatre.co.uk.

Turtle Key Arts was founded in 1989 as an accessible arts space. Producer Niamh Hanns explains, “The idea was to create an accessible arts venue where people could see performances from a range of artists. While we no longer have that venue, accessibility is still at the heart of everything that we do.”

The charity is now a performance arts company working with a portfolio of dance, circus and theatre companies. Many of the freelance artists it works with have a disability or face other barriers to participating in the arts. Amici Dance Theatre Company, for instance, is a unique inclusive dance theatre company for disabled and non-disabled performers. Amici’s shows challenge conventional attitudes about disability.

Every production includes outreach events, and Turtle Key Arts also runs regular education and participation projects, with a focus on including people who are often excluded from the arts, such as those who are neurodiverse or have a disability. Key Club, for example, is a monthly arts and social club for 18–30-year-olds on the autism spectrum, while Turtle Song is a singing and songwriting project for people living with dementia and their companions and carers.

Unlocking creative potential

Niamh says, “The UK is still in a period of austerity where the arts aren’t prioritised and where there are so many barriers to accessing the arts. That has an impact on people’s wellbeing and ability to grow in confidence and to be themselves.

“At Turtle Key Arts, our tagline is ‘Unlocking creative potential’. Everyone has something valuable to bring to the world artistically. Sometimes you need support in doing that, which is why organisations like ours are so important.”

Removing barriers to the arts

To Turtle Key Arts, ‘accessibility’ isn’t just about removing physical barriers. As Ellie Park, a producer at Turtle Key Arts, shares, “We want to remove as many barriers as possible. All our outreach projects are free to participants, as price is often a barrier, especially for younger people. With our dementia project, if transport is a barrier to people participating, then we’ll provide that.”

One barrier that the charity aims to tackle is lack of confidence, particularly for people who are disabled, disadvantaged or socially excluded. Niamh says, “The arts are often seen as something that only certain groups can take part in, so people sometimes think, ‘It’s not for me; that’s not something I can do.’ We make sure that our projects are as inclusive as possible by putting things in place so that people can have that creative output.”

As an example, one of the charity’s projects is Key Words, which supports dyslexic young people to write a play. Participants dictate the lines and actions to scribes, so if they lack confidence in writing things down, that doesn’t become a barrier to being creative.

The impact of Turtle Key Arts’ work cannot be overemphasised. Being able to participate in the arts can improve mental wellbeing, reduce isolation and increase confidence. As the daughter of a Turtle Song participant shared, “I cried silent tears of sorrow, of pride, of happiness, of loss, of admiration, of gratitude and more. Thank you for bringing joy to my mum, for accepting her just as she is and for making her truly happy. I have not seen her smile like that for a long time, today she was my beautiful, intelligent, kind & caring, fun loving mum again.”

The JOY festival

One of the highlights in Turtle Key Arts’ calendar is JOY – a disability arts festival for people in West London, which it runs in partnership with Hammersmith and Fulham Arts Festival and the Lyric theatre. JOY is led by a steering group of disabled artists and practitioners. The festival was relaunched this year, and Turtle Key Arts commissioned a music piece by and for disabled artists. Niamh explains, “A group of disabled people who are musicians or who have an interest in music are working with a professional composer, director and musician to create a new song cycle on the theme of joy. It will then be performed at the Lyric.” Ellie adds, “The participants are aged 18 to 70. It’s good to have something inclusive for all adults, as a lot of opportunities cut off at 25.”

The commission was funded with a grant from Hammersmith United Charities, and the piece was performed at the festival on 3rd July. Niamh says, “Hammersmith United Charities have been really supportive of us and our work on the festival over the years. It’s great to have a really engaged local funder.”

Find out more

If you’d like to take part in a Turtle Key Arts project, please visit the charity’s website: www.turtlekeyarts.org.uk

While This New Ground originally started as a choir, it has since grown into a community interest community (CIC) delivering a diverse and ambitious programme of creative engagement – elevating the voices and artistic talents of people who are neurodivergent or who have a learning disability.

The CIC is headed by co-founders Lucy Groenewoud and Nathalie Russell-Clarke. It has two hubs, one in London and one in Portsmouth. Lucy explains, “Nathalie started the choir because she recognised there was a real gap in provision for adults over 25 who have a learning disability. Over the years, this has developed into a thriving creative hub. More recently, we have gone on to open an art studio in the Creighton Centre.”

Changing perceptions

Lucy shares, “There’s a long-standing perception that art created by people with a learning disability belongs in community centres. It’s often seen as craft, not art. But thankfully, things are changing. Slowly but surely, cultural perceptions are shifting, and the arts sector is beginning to recognise the value, depth and complexity of work by neurodivergent artists and artists with a learning disability.

“A powerful example is Nnena Kalu, a phenomenal artist with a learning disability, who has just been nominated for the Turner Prize – one of the most prestigious awards in contemporary art. Her recognition marks an important moment of visibility and validation for many others still fighting to be seen.

“We’re working to challenge outdated and negative perceptions around learning disability and creativity. Our goal is to get the work made by artists in This New Ground seen, valued and celebrated by wider audiences.

“One exciting step in that journey is our new partnership with Lush, who are transforming artwork by some of our artists into beautiful Knot Wraps and greetings cards. For the artists, it’s more than just visibility – it’s the powerful realisation that, ‘Actually, this is something I could have a career in.’ It’s about recognition, opportunity and a sense of real creative ownership.”

Offering paid work opportunities

Research by Mencap shows that just 26.7% of people with a learning disability are currently in paid employment. This New Ground is able to offer two avenues for paid work. Firstly, it helps artists to sell their work. Secondly, it hires them to support businesses who want to make their communications more accessible.

Lucy says, “We believe in the voices and the talents of people with a learning disability and of those who are neurodivergent. For us, it’s really important that people have the opportunity to experience paid work and being in a workplace.”

Tackling isolation

Along with creativity and employment skills, there are many other benefits felt by This New Ground participants. Lucy says, “Isolation is a really big factor for a lot of the people we work with. A lot of them don’t have support, they live independently and they aren’t working, so our sessions are a social lifeline where they can develop relationships. Singing and creating art also increases confidence and gives people a real sense of achievement. Creative spaces like ours offer community, expression and connection in ways that are truly transformative.”

Martin, a participant at This New Ground’s art group, says, “It’s about getting out and about and meeting new people and being artistic. I didn’t think I had any art skills, but clearly I do, and I have grown to enjoy art.”

Platforming people with lived experience

Lucy and Nathalie want to ensure that people with a learning disability can help to guide and steer the CIC. Lucy shares, “We’re working to diversify our leadership and have people with lived experience on our leadership team.”

The Hammersmith choir is now peer-led, with a keyboardist and drama facilitator on hand to offer support.

Hammersmith United Charities’ support

“Quite often people will come in and say they don’t have enough money to buy food,” says Lucy. The Creighton Centre has been able to organise food vouchers, and Hammersmith United Charities has provided This New Ground with a grant to help cover running costs.

Thanks to grant funding and volunteer support, the CIC is able to keep the art club and choir free for participants.  At a time when many are facing deep financial hardship, this means access to creativity, connection and community remains open to everyone.

Lucy says, “We’re incredibly grateful for the funding we receive; we wouldn’t be able to operate without it. It enables the whole group to take part in a vital weekly social activity – something that makes a real difference to people’s lives.”

Get involved

This New Ground activities are held at the Creighton Centre, 378 Lillie Road, London SW6 7PH.

TNG Studio: Open Tuesdays, please email lucy@thisnewground.com if you’d like to join a supported studio session.

Art group: Tuesdays, 1–2.30pm

Singing group: Tuesdays, 3–4pm

The groups are free to attend. Please email lucy@thisnewground.com if you’d like to join.

Work by This New Ground artists is being exhibited at Sands End Arts & Community Centre until 31^st July 2025.